• April 11, 2024 •
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Posted in great musical thinkers, memories, Memories of shows, metahpor, metaphor, musical content, musical perception, Personal notes, Reflections on musical context, religion and music
Tags: album-review, album-reviews, Allison Krauss, And When I Die, Been on a Train, billy childs, Blood Sweat and Tears, chamber music, Chris Botti, chris potter, Christmas and the Beads of Sweat, debussy, Dianne Reeves, eli and the thirteenth confession, Esperanza Spaulding, Gibsom Street, herbie hancock, jazz, jazz ensemble, jazz fusion, jazz piano, Jerry Douglas, Joni mitchell, Larry Klein, laura nyro, Ledisi, Map to the Treasure, miles davis, More than a New Discovery, music, new york tendaberry, renee fleming, Rickie Lee Jones, Shawn Colvin, Stoned Soul Picnic, Susan Tedeschi, the confession, To a child, Upstairs by a Chinese Lamp, wayne shorter, yo-yo ma
• December 10, 2012 •
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Posted in In the hands of readers, the book's life in the world
Tags: 1970s, black american music, black music, bob gluck, book soup, electronic music, elliot bay book company, funk, herbie hancock, jazz, jazz piano, julian priester, mwandishi, mwandishi band, patrick gleeson, Seattle, west hollywood california
• September 14, 2012 •
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Posted in the book's life in the world
Tags: 1970s, black american music, black music, bob gluck, electronic music, gluck, herbie hancock, jazz, jazz piano, mwandishi, mwandishi band
Bob Gluck's Blog 