• April 11, 2024 •
Leave a Comment
Posted in great musical thinkers, memories, Memories of shows, metahpor, metaphor, musical content, musical perception, Personal notes, Reflections on musical context, religion and music
Tags: album-review, album-reviews, Allison Krauss, And When I Die, Been on a Train, billy childs, Blood Sweat and Tears, chamber music, Chris Botti, chris potter, Christmas and the Beads of Sweat, debussy, Dianne Reeves, eli and the thirteenth confession, Esperanza Spaulding, Gibsom Street, herbie hancock, jazz, jazz ensemble, jazz fusion, jazz piano, Jerry Douglas, Joni mitchell, Larry Klein, laura nyro, Ledisi, Map to the Treasure, miles davis, More than a New Discovery, music, new york tendaberry, renee fleming, Rickie Lee Jones, Shawn Colvin, Stoned Soul Picnic, Susan Tedeschi, the confession, To a child, Upstairs by a Chinese Lamp, wayne shorter, yo-yo ma
• March 28, 2024 •
Leave a Comment
Posted in Crafting the text, musical content, Pat Metheny, Personal notes, the book's life in the world
Tags: bob gluck, electric guitar, gary burton, jazz, jazz fusion, music, ornette coleman, Pat Metheny, patmetheny, University of Chicago Press
• May 13, 2014 •
2 Comments
Posted in musical content
Tags: airto moreira, bob gluck, chick corea, dave holland, electric jazz, fillmore east, jack dejohnette, jazz, jazz fusion, keith jarrett, miles davis, steve grossman
• October 31, 2013 •
Leave a Comment
Posted in Crafting the text
Tags: 1969, 1970, bob gluck, chick corea, dave holland, electric jazz, herbie hancock, jack dejohnette, jazz, jazz fusion, jazz history, miles davis, quintet, wayne shorter