Meditations on Billy Childs, “Map to the Treasure: Reimagining Laura Nyro”
• April 11, 2024 • Leave a CommentPosted in great musical thinkers, memories, Memories of shows, metahpor, metaphor, musical content, musical perception, Personal notes, Reflections on musical context, religion and music
Tags: album-review, album-reviews, Allison Krauss, And When I Die, Been on a Train, billy childs, Blood Sweat and Tears, chamber music, Chris Botti, chris potter, Christmas and the Beads of Sweat, debussy, Dianne Reeves, eli and the thirteenth confession, Esperanza Spaulding, Gibsom Street, herbie hancock, jazz, jazz ensemble, jazz fusion, jazz piano, Jerry Douglas, Joni mitchell, Larry Klein, laura nyro, Ledisi, Map to the Treasure, miles davis, More than a New Discovery, music, new york tendaberry, renee fleming, Rickie Lee Jones, Shawn Colvin, Stoned Soul Picnic, Susan Tedeschi, the confession, To a child, Upstairs by a Chinese Lamp, wayne shorter, yo-yo ma
“Miles Davis ‘Lost’ Quintet and Other Revolutionary Ensembles” (2016) – new book on its way
• October 31, 2013 • Leave a CommentPosted in Crafting the text
Tags: 1969, 1970, bob gluck, chick corea, dave holland, electric jazz, herbie hancock, jack dejohnette, jazz, jazz fusion, jazz history, miles davis, quintet, wayne shorter
Listening to Miles Davis’s “Lost Quintet”
• July 30, 2013 • 5 CommentsPosted in Crafting the text, musical content
Tags: 1969, 1970, bitches brew, bob gluck, chick corea, dave holland, fusion, gary bartz, jack dejohnette, jazz, jazz history, jazz rock, miles davis, tony williams, wayne shorter
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