Bob Gluck's Blog
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Posted in great musical thinkers, memories, Memories of shows, metahpor, metaphor, musical content, musical perception, Personal notes, Reflections on musical context, religion and music
Tags: album-review, album-reviews, Allison Krauss, And When I Die, Been on a Train, billy childs, Blood Sweat and Tears, chamber music, Chris Botti, chris potter, Christmas and the Beads of Sweat, debussy, Dianne Reeves, eli and the thirteenth confession, Esperanza Spaulding, Gibsom Street, herbie hancock, jazz, jazz ensemble, jazz fusion, jazz piano, Jerry Douglas, Joni mitchell, Larry Klein, laura nyro, Ledisi, Map to the Treasure, miles davis, More than a New Discovery, music, new york tendaberry, renee fleming, Rickie Lee Jones, Shawn Colvin, Stoned Soul Picnic, Susan Tedeschi, the confession, To a child, Upstairs by a Chinese Lamp, wayne shorter, yo-yo ma
Posted in Crafting the text, Memories of shows, Personal notes, Reflections on musical context
Tags: 1970, billy childs, bitches brew, bob gluck, electric jazz, fillmore east, jazz, laura nyro, live at fillmore, miles davis, new york city
Posted in Crafting the text, Memories of shows, Reflections on musical context
Tags: billy childs, bob gluck, bobby mcferrin, herbie hancock, mwandishi, wallace roney
Bob Gluck's Blog