Posted in Crafting the text, great musical thinkers, music and the body, musical content, musical perception, Pat Metheny, Personal notes
Tags: Andre cholmondeley, Antonio sanchez, bob gluck, cecil taylor, composition, embodied performance, esperanza spalding, frank zappa, gary burton, guitar, herbie hancock, herbie hancock mwandishi, improvisation, jazz, jefferson airplane, mev, miles davis, Miles davis lost quintet, mwandishi, ornette coleman, Pat Metheny, patmetheny, piano, revolutionary ensemble, Steve rodby, Steve Swallow, the beatles, tyshawn sorey
Posted in musical content, Reflections on musical context, the book's life in the world
Tags: circle, civic obligation, civil society, collective improvisation, democracy, jazz music, mwandishi, ornette coleman, responsibility, revolutionary ensemble
Posted in Crafting the text
Tags: 1969, 1970, 1971, anthony braxton, barry altschul, bob gluck, chelsea, chick corea, dave liebman, herbie hancock, jack dejohnette, jerome cooper, leroy jenkins, miles davis, mwandishi, new york city, revolutionary ensemble, sirone
Posted in Crafting the text
Tags: alvin curran, barry altschul, bob gluck, chick corea, dave holland, electric piano, fender rhodes, frederic rzewski, herbie hancock, improvisation, jazz, jerome cooper, leroy jenkins, live electronic music, mev, miles davis, music elettronica viva, mwandishi, new york city, paul bley, piano, revolutionary ensemble, richard teitelbaum, sam rivers, sirone